These images bring to mind all of humanities basest qualities, and cause the audience to instinctively look for the … (4.2.41), "But there, where I have garner'd up my heart, / Where either I must live, or bear no life; / The fountain from the which my current runs, / Or else dries up; to be discarded thence!" Exploring Imagery Select one of your images. In the final scene, once Desdemona’s life is (mistakenly) ended, Othello has no further desire to carry on – the ‘voyage’ of love has ended in guilt and despair: Here is my journey’s end, here is my butt. She's not weeping for Cassio, but out of pure fear, and it's too late for explanations. Desdemona is terrified; her one possible witness is dead, and his death makes her understand that Othello is dead serious about killing her too. Exploring Imagery Study Othello’s language in lines 333- end closely. However, a little later when Iago asks her why Othello has called her a whore, Desdemona says "I do not know; I am sure I am none such" (4.2.123) and begins to weep. (4.2.61-62), "I cannot weep; nor answer have I none, / But what should go by water" (4.2.103-105), "I do not know; I am sure I am none such" (4.2.123), "The fresh streams ran by her, and murmur'd her moans; / Sing willow, willow, willow; / Her salt tears fell from her, and soften'd the stones" (4.3.44-46), Ah balmy breath, that dost almost persuade, "Out, strumpet! away! This is the final sabotage that Shakespeare expresses, which ultimately leads into the death of Desdemona and the suicide of Othello. Just as a bird signifies general disaster so the memory is an evil omen brought to torment othello. When Desdemona asks to be allowed to accompany Othelloto Cyprus, she says that she “saw Othello’s visage in his mind,/ And to his honours and his valiant parts / Did I my soul and fortunesconsecrate” (I.iii. He forges the link himself at the end of his soliloquy in Act I Scene 3.Outlining his evil intentions he says, 'Hell and night / Must bring this monstrous birth to the world’s light' (I.3.402–3). They spot a ship coming forth; but Iago, Desdemona, and Emilia are on it, not Othello. [Scene Summary], "But that I love the gentle Desdemona, / I would not my unhoused free condition / Put into circumscription and confine / For the sea's worth" (1.2.25-28), grief / Is of so flood-gate and o'erbearing nature / That it engluts and swallows other sorrows" (1.3.55-57), "I will incontinently drown myself" (1.3.305), "Tempests themselves, high seas, and howling winds" (2.1.68), "That he may bless this bay with his tall ship, / Make love's quick pants in Desdemona's arms, / Give renew'd fire to our extincted spirits / And bring all Cyprus comfort!" In Act 2, Scene 3, Iago refers to Desdemona as…. Iago uses a lot of animal imagery to describe Othello. This passage paints a picture of Othello. Othello calls Desdemona a whore and tells her that she is false. He says. [Scene Summary]. STUDY. As it turns out, a few words are also sufficient to paint a verbal picture. [Scene Summary]. In this simile, Othello … This passage alludes to the Pontic Sea, today known as the Black Sea, a body of water without a balanced tide which flows in and out. weep'st thou for him to my face?" If I simply wanted to communicate literally, I could tell my friend that the seasons are changing and leaves are beginn… Once again he misinterprets what he sees before his eyes. According to Cassio, Desdemona is ‘the riches of the ship,’ as valuable as a cargo of treasure would be to the money-hungry Venetians. This action of Othello was fueled by his earlier animal-like change caused by Iago. Cassio greets them all, especially praising Desdemona; somehow, Iago and Desdemon…
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